Curiosity   ~   Lucidity   ~   Humanity
Poetry

Last Night I Assembled

by Stephen Turner

Last night I again assembled

All the dead I’ve loved—

Father, grandfather, uncle,

Grandmother. In dreams I walk and talk with

Them again, though father’s once

Clear face has blurred with time,

Like an old photograph, and I have lost

The sound of grandfather’s voice,

And my Uncle George only appears

Once in a great while. He appears to say

Something, but I never know what it is.

And grandmother remains, in dreams as she was,

Arthritic hands dangling like claws

From the arm rests of her wheelchair.

So kind, so ready to comfort,

But, like grandfather, voiceless

To me now. Soon it will no longer matter.

I know that. I wonder if

My children will dream of me as I dream of

All those who went before me--

Father, uncle, grandfather, grandmother.

Will they wake to tears,

Saying, Grandfather, I am so sorry?

There wasn’t enough time to say

All the things, all the things

I wish I’d said, all the things I never

Knew I needed to say? There wasn’t

Enough time, Father, to hear and remember

All your stories, the stories of youth

And war, of family and friends.

No one, I suppose, ever has

Enough time to say a life.

It takes eternity.




Bio-Fragment of Stephen Turner: When I was a child in Indiana, my grandfather would often read the poems of James Whitcomb Riley to me, and read them with great enthusiasm. I loved his readings, but never imagined I could write anything "poetic." Years later, as a junior in high school, I started to copy out poems like Poe's "To Helen" or "Let me not to the marriage of true minds . . . " and send them to girls because I discovered that girls liked poetry and, well, I liked girls. In college, I began to memorize poems I loved, and--you guessed it--recite them to girls I was interested in, which was almost all girls. By my junior year, I was writing poems of my own, often using words like thou, thine, or 'twas. Poetic words. I was an English major and took a creative writing class that year from my advisor, Dr. Viola Wendt, and she insisted I drop that sort of 19th century poetic diction, and she also made me realize that I had an ear for the musicality of poetry, for meter, rhythm, rhyme, assonance. I've been writing poetry since then, but it really all began with an effort to impress girls.